Frederic W. Goudy (Bloomington, Illinois, March 8 1865 – Marlborough-on-Hudson, May 11 1947) was a prolific American type designer whose typefaces include Copperplate Gothic, Kennerley, and Goudy Old Style. He also designed, in 1938, University of California Oldstyle, for the sole proprietary use of the University of California Press. The Lanston Monotype Company released a version of this typeface as Californian for wider distribution in 1956, while ITC created a digital version, called ITC Berkeley, in 1983.
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In 1903, Goudy and Will Ransom founded the Village Press in Park Ridge, Illinois. This venture was modeled on the Arts and Crafts movement ideals of William Morris. It was moved to Boston, then New York. In 1908, he created his first significant typeface for the Lanston Monotype Machine Company: E-38, sometimes known as Goudy Light. However, in that same year the Village Press burned to the ground, destroying all of his equipment and designs. In 1911, Goudy produced his first "hit," Kennerly Old Style, for an H. G. Wells anthology published by Mitchell Kennerly. His most widely used type, Goudy Old Style, was released by the American Type Founders Company in 1915, becoming an instant classic.
From 1920 to 1947, Goudy was art director for Lanston Monotype. Beginning in 1927, Goudy was a vice-president of the Continental Type Founders Association, which distributed many of his faces. By the end of his life, Goudy had designed 122 typefaces and published 59 literary works.
Goudy was the originator of the well-known statement, "Any man who would letterspace blackletter would shag sheep."[1] (This is often misquoted as: "anyone who would letterspace lowercase would steal sheep" and "anyone who would letterspace blackletter would steal sheep.") Others doubt this story, as the Briticism "shag" was unknown in American slang.[2] It has also been said that the original verb was fuck, and that like "steal," "shag" was a more recent toning down of the original.
Goudy was not always a type designer. "At 40, this short, plump, pinkish, and puckish gentleman kept books for a Chicago realtor, and considered himself a failure. During the next 36 years, starting almost from scratch at an age when most men are permanently set in their chosen vocations, he cut 113 fonts of type, thereby creating more usable faces than did the seven greatest inventors of type and books, from Gutenberg to Garamond."[3]
Asked how to say his name, he told The Literary Digest "When I was a boy my father spelled our name 'Gowdy' which didn't offer any particular reason for verbal gymnastics. Later, learning that the old Scots spelling was 'Goudy,' he changed to that form, while I, for some years, retained the old way. My brother, in Chicago, still spells with the w. However, I find that occasionally a stranger pronounces the word with ou as long o in go, sometimes as ou in soup, or goo and less frequently with the ou as oo in good. I retain the original pronunciation with ou as in out." (Charles Earle Funk, What's the Name, Please?, Funk & Wagnalls, 1936.)
Goudy was America's third most prolific type designer (behind Morris Fuller Benton and R. Hunter Middleton), with ninety faces actually cut and cast, and many more designs completed. His most famous were Copperplate Gothic and Goudy Old Style. For a complete list, see List of typefaces designed by Frederic Goudy.